Jessica Pratt
The Stoller HallEvent Timings 7.30pm – Hana Stretton (support) 8pm – Interval 8.30pm – Jessica Pratt 10pm – End of Concert (approx.)...
‘..the festival had one extraordinary performance that was in a class all of its own: Trio HLK’s collaboration with percussionist Dame Evelyn Glennie was an intense combination of complex musical ideas and virtuoso musicianship’ – Tony Benjamin, Jazzwise
‘..urgent, elegant, dizzying, serene … and maybe unlike anything you’ve heard before’ – London Jazz News
Pioneering solo percussionist Dame Evelyn Glennie plays with Scottish improvising ensemble Trio HLK. Their music pulls apart jazz standards into fragments that are at times shimmering and cerebral, at others thunderous and visceral. Intricate and harmonious rhythms meet with a veritable battery of percussion instruments played by Glennie to deliver a performance that is an interactive tour de force.
Trio HLK comprises composer/pianist Rich Harrold, Ant Law on 8-string guitar and drummer Richard Kass. HLK began to collaborate with Dame Evelyn Glennie (the world’s premier solo percussionist) in early 2018 with a concert at Bristol International Jazz Festival. Critics praised this significant debut performance which was very warmly received by the audience. Jazzwise magazine cited the concert as “an extraordinary performance in a class all of its own’.
Their debut studio album Standard Time was released shortly after. Featuring HLK, Evelyn and also Guggenheim fellow Steve Lehman (alto saxophone) it went on to be selected as Critics’ Choice in Gramophone Magazine.
Since 2018, HLK & Evelyn have performed together extensively in Europe, developing new music and allowing their unique musical language to evolve. Their meticulous approach heavily deconstructs and recomposes well known pieces from the jazz and classical repertory. From the original musical building blocks they create intricate new pieces with complex frameworks for improvisation. The pieces are strewn with rhythmic and harmonic tricks, and their performances distort the meeting point of the composed and the improvised.
This concert is supported by Arts Council England’s Supporting Grassroots Live Music Fund.
